LUÍSA SANTOS

 AREAS OF RESEARCH
Contemporary Art
Curatorial Studies
Cultural Studies
Cultural Entrepreneurship
Art and Project Management
Social Systems
 
 
ACADEMIC BACKGROUND
2003 | Degree in Communication Design (Licenciatura), Faculty of Fine Arts, University of Lisbon
2008 | Master of Arts in Curating Contemporary Art, Royal College of Art, London
2015 | Doctoral of Cultural Studies, Humboldt & Viadrina School of Governance, Berlin. Dissertation: Art, Cultural Studies and Project Management in a multidisciplinary approach for social change
 
 
LANGUAGES
Portuguese | Native speaker
English |  Effective Operational Proficiency (C1)
French |  Threshold (B1)
German |  Waystage (A1)
 
 
ACADEMIC EXPERIENCE
Supervising and Jury
​since 2016 | Member of the FCT (Fundação para a Ciência e Tecnologia) Arts Panel to the awarding of Doctoral and Post-Doctoral Scholarships in Arts
​since 2016 | Supervisor of the following PhD students in Culture Studies, The Lisbon Consortium / Faculty of Human Sciences, Universidade Católica Portuguesa (projects and thesis): Ana Trincão; Daniela Ambrósio
since 2016 | Supervisor of the following MA students in Culture Studies, The Lisbon Consortium / Faculty of Human Sciences, Universidade Católica Portuguesa (projects and dissertations): Inês Nóvoa; Teresa Pinheiro; Rita Brito; Inês Santos Cunha; Raquel Pinhão; Ashi Damvar
2016 | Jury for Master thesis “Discourse, interpretation and representation: the role of temporary exhibitions in contemporary art institutions.”  by Juan Gonçalves, Master of Arts in Museology, Faculty of Fine Arts, University of Lisbon
2016 | Jury for PhD thesis in Fine Arts by Pedro Oliveira, Faculty of Fine Arts, University of Lisbon
2016 | Jury for PhD thesis in Culture Studies by Fabiola Mauricio, Faculty of Human Sciences, Universidade Católica Portuguesa
2015 | Co-supervisor Master thesis “Discourse, interpretation and representation: the role of temporary exhibitions in contemporary art institutions.”  by Juan Gonçalves, Master of Arts in Museology, Faculty of Fine Arts, University of Lisbon
2010 |  Co-advisor Master thesis “Fotografia de Moda como ferramenta de comunicação.”  By Mafalda Especial, Master of Arts in Photography and Visual Culture, IADE, Instituto de Arte, Design e Empresa, Lisbon
​
Teaching and Research
Since FEB. 2016 | Assistant Professor / Gulbenkian Professor, Culture Studies, The Lisbon Consortium, Faculty of Human Sciences, Universidade Católica Portuguesa. Modules taught: Culture, Production and Creativity; Cultural Entrepreneurship; Research Colloquium II; Curatorial Practices; Cultural Management
Since FEB. 2016 | Researcher, Cultural Studies, CECC (The Research Centre for Communication and Culture),  Faculty of Human Sciences, Universidade Católica Portuguesa. Research line: Art, Culture and Citizenship
NOV. 2014 - NOV. 2015 | Workshop and Course Coordinator (Cursos Livres ) within the Master of Arts in Museology, Faculty of Fine Arts, University of Lisbon. Modules taught: Critical Writing; Institutional Curatorial Practice
DEC. 2013 – JUN. 2014 | Workshop Coordinator “Curatorial Practice in Social Design”, within the Master of Arts in Social Design, Sint-Lukas Brussels University College of Art and Design
MAR. 2014 – JUN. 2014 | Collaborator for Seminars Series, The Public School Brussels.
SEP. 2011 – SEP. 2012 | Research Fellow at CuratorLab, Konstfack University College of Arts, Crafts and Design, Stockholm
SEP. 2010 – SEP. 2012 | Assistant Professor, ArCO, Centro de Arte e Comunicação Visual, Lisbon
Modules taught: Communication Design Project I and II
NOV. 2009 – DEC. 2013 | Assistant Professor, IADE, Instituto de Arte, Design e Empresa, Lisbon
Modules taught: Photography Theory; Video-Art; Curating Exhibitions
 
NON-ACADEMIC PROFESSIONAL EXPERIENCE
Since December 2018 | Co-founder and co-curator (with Ana Fabíola Maurício) of nanogaleria, Lisbon
October 2018 | Guest curator, Hangar, Lisbon
May 2017 | Jury member, Künstlerhaus Bethanien artist-residency programme, Berlin (funded by Gulbenkian Foundation)
JUN. 2016 | Jury member, Arte Jovem 2016 (1st edition), Carpe Diem Arte & Pesquisa, Lisbon
May 2016 | Jury member, Künstlerhaus Bethanien artist-residency programme, Berlin (funded by Gulbenkian Foundation)
May 2015 | Jury member, Gasworks artist-residency programme, London (funded by Gulbenkian Foundation)
Since SEP. 2015 | Curator, CreArt 2016 "Notes on tomorrow", European traveling exhibition (Lithuania, Norway, Portugal). Funded by the European Commission. 
AUG. - DEC. 2015 | Executive Curator, Anozero: Biennial of Contemporary Art, Coimbra
DEC. – JUL. 2015 | Head of Institutional Partnerships and Fundraising, Lisbon Architecture Triennial
AUG. 2014 - JUL. 2015 | Associate Curator Carpe Diem Arte & Pesquisa (traveling exhibitions of the art collection), Lisbon
NOV. – DEC. 2009 | Resident Curator, Frankfurter Kunstverein, Frankfurt
MAY – NOV. 2009 | Guest Curator, OK-Centrum, Linz
JUL. – SEP. 2007 | Curator (intern), The Photographers’ Gallery, London
FEB. – APR. 2007 | Curator (intern), Tate Britain, London
Since 2007 I Independent curator
 
 
PUBLICATIONS (BOOKS AND DISSERTATIONS)
Santos, Luísa (2018). Multidisciplinarity: Projects for Social Change in Art and Culture.  London: Routledge. ISBN: 978-1-4724-8313-3
​
Art, Cultural Studies and Project Management in a multidisciplinary approach for social change, Doctoral Dissertation

​The legacy of Conceptualism in Contemporary Art, Master of Arts Dissertation
 
 
PUBLICATIONS (CHAPTERS IN BOOKS AND EXHIBITION CATALOGUES)
(forthcoming) Santos, Luísa e Cachola, Ana (2019). “War on Images”. IN Annimari, J. (ed.) (2019). Cultural Negotiations of Displacements - Migration and Difference in Contemporary Literature and Arts. Berlim: De Gruyter.

Santos, Luísa (2018). “Ai Weiwei: Grafting as a Documentary Tactic in Art” IN Gerda Cammaer et al. (Eds): Critical Distance in Documentary Media. Basingstoke: Palgrave Macmillan. ISBN: 978-3-319-96766-0

(forthcoming) Santos, Luísa (2018). “Soará a silêncio o som de uma revolução dentro de um bunker? O poder da (i)materialidade na arte contemporânea”. IN Ilharco, Fernando et. Al (Eds): Património Cultural e Transformação Digital. Lisboa: CECC, Universidade Católica Portuguesa

Santos, Luísa (2018). “New Mediation Practices as a trope for Social Change. The cases of Tate Modern, Tensta Konsthall and Clark House Initiative”. Muséologies, Vol. 8(2), 159-177.
Santos, Luísa (2018). “Ballets Russes: no limite da arte e da vida”. IN Capeloa Gil, Isabel (Ed.), Os Ballets Russes: Modernidade após Diaghilev. Lisboa: Fundação Millenium BCP.
Santos, Luísa et al (2018). 13 shots – Aimée Zito Lema. Lisboa: Fundação Calouste Gulbenkian.

Santos, Luísa et al (ed.) (2018). Conviviality and the Institutional. Lisboa: CECC, Universidade Católica Portuguesa.

Santos, Luísa et al (2018). “13 Shots: Image, latency, performativity.” IN Santos, Luísa et al (ed.) (2018). Conviviality and the Institutional. Lisboa: CECC, Universidade Católica Portuguesa.

Santos, Luísa e Cachola, Ana (2018). “on conviviality – editorial.” IN Santos, Luísa et al (ed.) (2018). Conviviality and the Institutional.  Lisboa: CECC, Universidade Católica Portuguesa.

Santos, Luísa (2018). “Os cardumes do Miguel Palma” IN Miguel Palma A-Z. Lisboa. MAAT.
Santos, Luísa e Gadanho, Pedro (eds.) (2017). Tension and Conflict. Video Art after 2008. Lisboa: Assírio & Alvim.

Santos, Luísa (2017). “Tensão e conflito: notas sobre o poder da arte.” IN Santos, Luísa e Gadanho, Pedro (eds.) (2017). Tension and Conflict. Video Art after 2008. Lisboa: Assírio & Alvim.

Santos, Luísa (2017). “João Paulo Queiroz: Desenhos, 2005-2016. Acalmar a natureza inquieta do lugar”. IN Queiroz, J. (ed.) (2017). Cem vezes uma árvore. Pintura. Milton Keynes: Lightning Source UK Ltd, pp. 11-128. ISBN: 978-1-36-639864-2.

Santos, Luísa. (2017). “A Arte só existe com revoluções.” IN ABREU, José Guilherme; CASTRO, Laura (Eds.) – Arte Pública na Era da Criatividade Digital. Atas do Colóquio Internacional 2017. Public Art in the Digital Creativity Era. International Conference Proceedings 2017. Porto: Universidade Católica Editora/CITAR, 2017. ISBN: 978-989-8835-38-3

Santos, Luísa. (2017). “João Paulo Queiroz: Desenhos, 2005-2016. Acalmar a natureza inquieta do lugar”. Revista :Estúdio, 8(17), 28-41.

Santos, Luísa (2017). “Imergir para Emergir” IN Ambrósio, D. (ed.) PEAC 2017. Lisboa: Emerge.

Santos, Luísa (2016). “Poetics of Space: Teresa Braula Reis and Gregor Graf”, Galeria 3+1 (ed.), Poetics of Space, Lisboa: Galeria 3+1

Santos, Luísa (2016). “Dias a Fio”, Queiroz, João Paulo (ed.), Dias a Fio, Lisboa: Faculdade de Belas-Artes da Universidade de Lisboa

Santos, Luísa (2016). “Breviário do Quotidiano #8”, Perez-Quiroga, Ana (ed.), Breviário do Quotidiano #8 - Lisboa 2016. Os regimes acumulativos dos objectos e as suas determinantes, Lisboa: Arquivo Municipal Fotográfico de Lisboa

Santos, Luísa (2015).  “Looking for something”, Teles de Menezes, Salvato (ed.), Mónica Capucho, Individual, Cascais: Fundação D. Luís I.

Santos, Luísa (2015). “O que faz um Prémio: O Prémio Novos Artistas Fundação EDP”, Pinharanda, João (ed.), Prémio Novos Artistas Fundação EDP 2015, Lisboa: Fundação EDP.

Santos, Luísa (2015).  “They are these or they maybe others”, Steele, James (ed.), Cristina Garrido: They are these or they maybe others, Lisbon: 3+1.

Santos, Luísa (2014).  The grass is always greener, Roskilde: Museum of Contemporary Art.

Santos, Luísa (2014).  Daqui parece uma montanha, Lisbon: Gulbenkian Foundation.

Santos, Luísa (2014). “Grey Matter(s)”, Alegre, Luís (ed.), Miguel Palma, Grey Matter. Lisboa: Stolen Books.

​Santos, Luísa (2014).  “Project Morrinho, fighting the grand-narrative of the favela,” Seismopolite, Journal of Arts and Politics, nº 9, Oslo.

Santos, Luísa (2014). “Petrit Halilaj, Poisoned by men in need of some love. An exhibition of stories telling the History of a country,” Estúdio, nº 8, Lisbon.

Santos, Luísa (2014), “Public Art Projects - Towards a Critical Discourse on Urban Aesthetics”  Soares Neves, Pedro & Freitas Simões, Daniela, Lisbon Street Art & Urban Creativity International Conference Book, Lisbon: FBA.UL.

​Santos, Luísa (2013).  “Projecto Morrinho, Projecto Remix e Projecto EVA Bairro 6 de Maio”, Almeida, Victor (ed.), DES/GN:FBAUL2013, Lisbon: FBA.UL. 
Santos, Luísa (ed.) (2012), There is no knife without roses, Stockholm: Tensta Konsthall.

Santos, Luísa (2012). “Project Morrinho, a brief history”, Muraro, Lucas, TV Morrinho 2001-2012 New York: Brazilian Endowment for the Arts.

Santos, Luísa (2012), “The invisible cities of Francesco Pignatelli”, Bonini, Paola (ed.), Francesco Pignatelli – Osservatorio, Milan: Giunti Arte Mostre Musei.

Santos, Luísa (2011).  “A arte contemporânea como cavalo de tróia numa sociedade de massas”, Resende, Sandro (ed.), Outdoors, Lisbon: P28. 

Santos, Luísa (2009).  “Cristopher Thomas Allen, Dialog,” Rueckert, Genoveva (ed.), Bienalle Cuvée, Linz: OK-Centrum. 

Santos, Luísa (2009).  “Stalin by Picasso or Portrait of a woman with moustache”, Rueckert, Genoveva (ed.), Bienalle Cuvée, Linz: OK-Centrum.

Santos, Luísa (2008).  “Constructing realities, combining media”, Burgin, Victor (ed.), Photography Royal College of Art 2008, London: Royal College of Art.

Santos, Luísa (2007).  “Marcel van Eeden, an anti-diary”, Hammond, C. (ed.), Of this tale I cannot guarantee a single word, London: Royal College of Art. 

 
PUBLICATIONS (ARTICLES IN THE PRESS) (last updated in 2016)
João Maria Gusmão & Pedro Paiva + Francisco Tropa, Jun. 2016, Contemporânea
Rui Toscano, Civilizações de Tipo I, II e III, Jan. 2016, Contemporânea
Júlio Pomar & Rui Chafes: Desenhar, Dec. 2015, Contemporânea
Tris Vonna Michell, Capitol Complex, Jul. 2015, Contemporânea
Carlos Noronha Feio, Oikonomia, Jul. 2015, Contemporânea
Pedro Barateiro, Palmeiras Bravas, Apr. 2015, Contemporânea
Daniel Blaufuks, toda a memória do mundo numa exposição, Feb. 2015, P3, Público
Stillhet, O Elogio do Silêncio, Nov. 2014, P3, Público                                                                     
Nuno Cera, artist profile, May 2013, Directarts
Bela Silva, artist profile, Mar. 2013, Directarts
KW69 #4, Mar. 2011, L+Arte
Absalon, Feb. 2011, L+Arte
Nan Goldin, Jan. 2011, L+Arte
Thrice Upon A Time..., Nov. 2010, L+Arte
Turner Prize, Nov. 2010, L+Arte
Histórias de Resistência, Artistas da Argentina, Oct. 2010, L+Arte
Not in fashion, Oct. 2010, L+Arte
The Morrinho Project, Jul. 2010, UP Magazine
A propósito do objecto fotográfico, Jul. 2009, ArteCapital
O livro como meio, Jun. 2009, ArteCapital
Linz 2009: Haus der Geschichten / A Casa das Estórias, May 2009, ArteCapital
 
 
INTERVENTIONS / PARTICIPATION IN CONFERENCES AND WORKSHOPS (last updated in 2016)
November 2016 | FIELDWORK - CECC-FCH-UCP, 4Cs: From Conflict to Conviviality through Creativity and Culture (speaker).
October 2016 | Art Talks - XI VERA World Fine Art Festival, Cultural Institutions in the world we live in today (keynote speaker)
July 2016 | Tate Modern, London, Tate Intensive: Making Tomorrow’s Art Museum (participant).
June 2016 | Faculty of Fine Arts, University of Lisbon - Metamorfoses da azulejaria. A Azulejaria Portuguesa na Arte Contemporânea: três exemplos. (keynote speaker).
March 2016 | Faculty of Fine Arts, University of Lisbon – International Congress CSO'2016. (moderator).
May 2015 | Faculty of Fine Arts, University of Lisbon – Faculty and Ph.D. Seminar Series. Pensar o Desenho sob a lente da curadoria de arte contemporânea. (speaker).
July 2014 | Faculty of Fine Arts, University of Lisbon – Urban Creativity Conference. Public Art Projects - Towards a Critical Discourse on Urban Aesthetics. (speaker).
March 2014 | LUCA, School of Fine Arts Brussels – Faculty and Master of Arts in Social Design Workshop. Towards a definition of social practice. (speaker).
September 2013 | Faculty of Social Sciences and Humanities of the Universidade Nova de Lisboa - Pedro Hispano Graduate Conference. Project Morrinho, a Multidisciplinary and Art Project for Social Change in a globalised world. (speaker).
November 2012 | Systemic Excellence Group, Berlin - Forum for Critical Narrative Inquiry. Narrative methods in art projects. (participant).
September 2012 | Tensta Konsthall, Stockholm - There is no knife without roses. Three multidisciplinary projects for social change: Project Morrinho, Project Row Houses and Project Eloísa Cartonera (participation and organisation of the international conference, which included a series of publications and a workshop lead by Rick Lowe). (organiser and speaker).
February 2012 | Konstfack, University College of Arts, Crafts and Design, Stockholm - Faculty and Ph.D. Seminar Series. What does an art project do? (speaker).
March 2012 | Faculty of Fine Arts, University of Lisbon – Master of Arts in Communication Design – Alumni Conference. O que é que o design de comunicação faz na curadoria de arte contemporânea? (speaker).
May 2011 | ArCO, Centro de Arte e Comunicação Visual, Lisbon – Communication Design Conference. Cruzamentos disciplinares nas artes. (speaker).
November 2010 | ArCO, Centro de Arte e Comunicação Visual, Lisbon – Communication Design Conference. A representação da casa nas Artes Plásticas. (speaker).
May 2010 | Faculty of Fine Arts, University of Lisbon – Master of Arts in Communication Design – The Great Thursday Conference. Heterotopias. (speaker).
 
AWARDS, HONOURS AND FUNDING
JUL. 2017 - JUL. 2021 | Creative Europe, Culture Sub-Programme for European Cooperation Project (large scale) 4Cs: From Conflict to Conviviality through Creativity and Culture (with The Lisbon Consortium, Faculty of Human Sciences, Universidade Católica Portuguesa).
FEB. 2016 - 2019 | Gulbenkian Professorship, The Lisbon Consortium, Faculty of Human Sciences, Universidade Católica Portuguesa.
JUN. 2015 | Creative Europe, production support for “Satellite” / Lisbon Architecture Triennale (as Head of Partnerships & Fundraising at the Triennale)
JUN. 2015 | Graham Foundation, production support for “The Form of Form” / Lisbon Architecture Triennale (as Head of Partnerships & Fundraising at the Triennale)
MAY 2015 | DGArtes, production support for the 6th edition of the Lisbon Architecture Triennale (as Head of Partnerships & Fundraising at the Triennale)
FEB. 2013 | Calouste Gulbenkian Foundation, production support for “At Home”
MAR. 2013 | Danish Arts Council, production support for “Daqui parece uma montanha”
JUL. 2012 | IASPIS, production support for “There’s no knife without roses”
JUN. 2012 | Instituto Camões, production support for “Air Print for Containers” / Portuguese representation at the Liverpool Biennial
SEP. 2012 | Instituto Camões, production and research support for “There is no knife without roses”
FEB. 2012 | Danish Arts Council, research support for “Daqui parece uma montanha”
2012 – 2014 | FCT (Fundação para a Ciência e Tecnologia), PhD scholarship
NOV. – DEC. 2009 | Deutsche Börse, curatorial residency programme, Frankfurter Kunstverein
JUL. 2007 | Deutsche Bank’s Art & Regeneration Scheme, prize for best Master of Arts in Curating Contemporary Art project
2006 – 2008 | Calouste Gulbenkian Foundation, Master of Arts scholarship
 
 
OTHER CULTURAL PRODUCTION
JUL. 2017 - JUL. 2021 | Scientific and Executive Coordination of 4Cs: From Conflict to Conviviality through Creativity and Culture, a 4-year large scale EU Cooperation project with exhibitions, artistic residencies, film screenings, mediation labs, publications, workshops, a Summer School and an online platform (coordinated by The Lisbon Consortium, Faculty of Human Sciences, Universidade Católica Portuguesa; with Tensta Konsthall; Royal College of Art; Museum of Contemporary Art Roskilde; Vilnius Arts Academy; ENSA Paris; Savvy Contemporary; Fundació Tapiès). Co-funded by Creative Europe, Culture Sub-Programme.
FEB. - MAR. 2019 | Catarina Fragoso (exhibition, co-curated with Ana Fabíola Maurício), nanogaleria, Lisbon
DEC. 2018 - FEB. 2019 | Marilá Dardot, Lisbon Blues (exhibition, co-curated with Ana Fabíola Maurício), nanogaleria, Lisbon
JUN.-SEP. 2018 |​ "Aimée Zito Lema", (exhibition, co-curated with Ana Cristina Cachola and Daniela Agostinho), Gulbenkian Museum, Lisbon
MAR. - MAY 2018 |​ "Miguel Palma", (exhibition, co-curated with Adelaide Ginga), MAAT (Museu de Arte, Arquitectura e Tecnologia), Lisbon
SEP. 2017 - FEB. 2018 |​ "Tension and Conflict", (exhibition, co-curated with Pedro Gadanho), MAAT (Museu de Arte, Arquitectura e Tecnologia), Lisbon
JUN. 2017  |​ "A dictionary of the revolution", (exhibition with Amira Hanafi, co-curated with Ana Cristina Cachola), Universidade Católica Portuguesa, Lisbon
MAR. 2017  |​ "5/5: 5 artists, 5 project rooms", (exhibition, coordination of students projects in the frame of the MA in Culture Studies, Universidade Católica Portuguesa), Universidade Católica Portuguesa and Carpe Diem Arte & Pesquisa, Lisbon
OCT.2016 - APR. 2017 |​ "LxC Conversation Pieces", (public talks with artists and researchers in the frame of The Lisbon Consortium), various locations, Lisbon
JUN. - NOV. 2016 | "Notes on Tomorrow"​ (exhibition), Lithuania, Norway and Portugal 
JUL. - SEP. 2016 | "Poetics of Space" (exhibition), ​3+1 Gallery, Lisbon 
MAR. - MAY 2016 | "Dias a Fio" (exhibition), Gallery of the Faculty of Fine Arts, University of Lisbon
MAR. - MAY 2016 | "Breviário do Quotidiano #8, Lisboa", Ana Pérez-Quiroga (exhibition), Arquivo Municipal Fotográfico, Lisbon
NOV. - DEC. 2015 | various exhibitions in the frame of Anozero: Coimbra Biennial of Contemporary Art
MAR. – MAY 2015 | "Empty Stages"​ (exhibition), Carpe Diem Arte e Pesquisa, Lisbon and Centro Cultural Emmerico Nunes, Sines
FEB. – APR. 2015 | "Uma linha dividida em duas partes"​  (exhibition), Kubik, Porto
JAN. – MAR. 2015 | "Empty Stages"​  (exhibition), Carpe Diem Arte e Pesquisa, Lisbon and Centro de Comunicação e Cultura, Torres Vedras
OCT. 2014 – JAN. 2015 | “The grass is always greener...” (exhibition), Museet for Samtidskunst, Roskilde
JUN. – SEP. 2014 | “Daqui parece uma montanha” (exhibition), Centro de Arte Moderna, Fundação Calouste Gulbenkian, Lisbon
MAR. – APR. 2014 | “Toque de Midas” (exhibition), Alecrim 50, Lisbon
FEB. – MAR. 2014 | “Procesos circulares” (exhibition), Subtejá, Montevideo, Uruguay
FEB. – JUL. 2013 | “Rupturas” (exhibition), Round The Corner, Lisbon
JUL. 2013 | “Just another boat” (exhibition), Round The Corner, Lisbon
MAY 2013 | “Milagre Técnico” (exhibition), Miguel Palma, Instituto Superior Técnico, Lisbon
MAR. 2013 | “At Home” (exhibition), Round The Corner, Lisbon
SEP. 2012 | “There’s no knife without roses” (international conference, publications and workshop), Tensta Konsthall, Stockholm
JUN. – NOV. 2012 | “Air Print for Containers” (Biennial, Portuguese representation), P28 / Liverpool Biennial
JUL. 2012 | “Kings” (exhibition), Round The Corner, Lisbon
JUL. 2012 | “Linz - Lisboa – Linz: Uma viagem em três movimentos de xadrez” (exhibition), Round The Corner, Lisbon
JUN. 2012 | “Montras” (exhibition in public space), P28, Lisbon and Porto
MAR. – AUG. 2012 | “Outdoors” (exhibition in public space), P28, Lisbon
JUN. 2011 | “Alfacinhas” (exhibition), Idades dos Sabores and EGEAC, Lisbon
MAR. 2011 | 2 Degrees (conference), Teatro Maria Matos, Lisbon
NOV. 2010 | “Geografia da Casa” (film programme), P28, Lisbon
JUL. 2010 | “Life, a user’s manual” (exhibition and workshops), Round The Corner, Lisbon
JUN. – JUL. 2010 | “Habitar Portugal” (exhibition), Architects Guild and London Festival of Architecture, London
APR. – MAY 2008 | “Of this tale I cannot guarantee a single word” (exhibition), Royal College of Art, London
DEC. 2007 | “Pawell Althamer with Polly Stapler” (talk), Tate Public Programs, Tate Modern, London
SEP. 2007 | “Gesture: Object and Subject” (online exhibition), Axisweb
JUN. 2007 | “Chelpa Ferro, Poltergeist” (exhibition), Mezkalito Gallery & Space, London
MAY 2007 | “An A-Z of Doubts” (exhibition), Serpentine Gallery, London
 
 
MEMBERSHIP IN ASSOCIATIONS
ICOM (The International Council of Museums)
AICA (Association Internationale des Critiques d’Art – International Association of Art Critics
APHA (Associação Portuguesa de Historiadores da Arte),
IKT (International Association of Curators of Contemporary Art)
The British Art Network, Tate, London
 
SCIENTIFIC AND EDITORIAL COMMITTEES
Member of Scientific Committee at CSO International Congress
Website: http://cso.fba.ul.pt/  
 
Member of Scientific and Editorial Committee at Peer Review Academic Periodical Estúdio
Website: http://www.estudio.fba.ul.pt/
Indexations: CiteFactor, Directory Indexing of International Research Journals; MIAR (Matriz de información para la evaluación de revistas); SciELO (Scientific Electronic Library Online) / Coleção SciELO Portugal; DOAJ / Directory of Open Access Journals; SHERPA / RoMEO; CNEN/Centro de Informações Nucleares, Portal do Conhecimento Nuclear "LIVRE!"; Latindex (catálogo); EBSCO host (catálogo); Academic Onefile; SIS, Scientific Indexing Services; Gale Cengage Learning - Informe Acadêmico; Open Academic Journals Index 
 
Member of Scientific and Editorial Committee at Peer Review Academic Periodical Gama
Website: http://gama.fba.ul.pt/
 
Member of Scientific and Editorial Committee at Peer Review Academic Periodical Croma
Website: http://croma.fba.ul.pt/

Member of Editorial Board at Yearbook of Moving Image Studies (YoMIS), Published by Büchner-Verlag
Website: http://www.movingimagescience.com/



 

​